SHOCK CINEMA Issue 42

Shock Cinema Magazine is an essential periodical for fans of cutting-edge, retro cinema. Each issue features in-depth interviews with the most intriguing character actors, cult celebrities and maverick moviemakers of all time and critiques a wide array of film obscurities, including grindhouse action, sexploitation, horror, sci-fi, drive-in favorites, kitsch gems, overseas oddities,
and arthouse dementia. 

Interviews with Bo Hopkins, Gary Lockwood, Alex Cord, William Katt, and Marki Bey. Reviews include Melissa Sue Anderson and Robert Carradine in Survival of Dana; Judy Geeson in the Danish psychodrama One of Those Things; Robert D. West's The Wednesday Children; Adam Roarke and Neville Brand in This is a Hijack; Kim Willoughby in Tearaway [a.k.a. Queen City Rocker]; Stella Stevens in Linda; Robert Warmflash's martial-arts romp Death Promise; Shelley Winters and a cross-dressing Max von Sydow in Gran Bollito; Rip Torn as poet Walt Whitman in Song of Myself; Klaus Hoffmeyer's mega-dose of Danish surrealism, The Hash Tree; Patrick Macnee, Connie Stevens and Marty Allen in Mister Jerico; the Hungarian children's fantasy Grandpa Chillie Challa; Ricky Shayne in The Battle of the Mods; the hippie-sexploitation double-bill Psychedelicsex Kicks and Wild Hippie Orgy; Piotr Szulkin's bleak science-fiction vision, The War of the Worlds: Next Century; Bert Convy in the tennis sex-comedy Racquet; Nicanor Loreti's Diablo; John Loder in The Brighton Strangler; Albert Pyun's Tales of an Ancient Empire; Xaviera Hollander in the Canadian sex-comedy My Pleasure is My Business; Peter Boyle and Scott Jacoby in The Man Who Could Talk To Kids; Ben Gazzara and Paul Winfield in High Velocity; et cetera.