"Elizabeth Otto offers a unique reexamination of the Bauhaus's legacy. With new areas of inquiry--ranging from the school's engagement with spirituality to its queering aesthetics and to the bracingly innovative role played by women artists--Haunted Bauhaus is an invaluable resource for anyone interested in an expanded view of modernism." -- Roxana Marcoci, Senior Curator of Photography, Museum of Modern Art; author of From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola
HAUNTED BAUHAUS: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics by Elizabeth Otto
The Bauhaus (1919-1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories.
The Bauhaus is most often associated with a handful of famous artists, architects, and designers--notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed "spirit photographs" and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the "queer hauntology" of certain Bauhaus works; and the role of radical politics on both the left and the right--during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis.
With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew.
Elizabeth Otto is an art historian and the author of Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt, the coauthor of Bauhaus Women: A Global Perspective, and the coeditor of five books including Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism's Legendary Art School. She is Associate Professor at the University at Buffalo (SUNY), where she has also served as the Executive Director of the Humanities Institute. Her work has been supported by numerous organizations including the Alexander von Humboldt Foundation, the Center for Advanced Study in the Visual Arts, the National Humanities Center, and the University at Pittsburgh's Humanities Center.
"Elizabeth Otto's spirited study reclaims another overlooked Bauhaus beyond the tech myths of rationalization and radical innovation. The Bauhaus's engagements with spirituality and the occult, with sexed and gendered bodies, and with radical left- and right-wing politics are meticulously documented. Here, at age 100, the Bauhaus appears in a distinctively different light as a kaleidoscope of the very contradictory tendencies of its time." -- Andreas Huyssen, Villard Professor Emeritus of German and Comparative Literature, Columbia University; author of Miniature Metropolis: Literature in an Age of Photography and Film
"This extraordinary book takes us to the hidden side of what is probably the most famous modern art school. Elizabeth Otto opens a new world even to all Bauhaus connoisseurs; she shows that Spiritism and occultism but also sexual and gender diversity were just as much a part of the Bauhaus as rationality and functionality." -- Burcu Dogramaci, Professor, Institute of Art History, Ludwig Maximilians University of Munich, editor of Textile Modernism