SHOCK CINEMA Issue 58

Shock Cinema Magazine is an essential periodical for fans of cutting-edge, retro cinema. Each issue features in-depth interviews with the most intriguing character actors, cult celebrities and maverick moviemakers of all time and critiques a wide array of film obscurities, including grindhouse action, sexploitation, horror, sci-fi, drive-in favorites, kitsch gems, overseas oddities,
and arthouse dementia. 

Interviews with P.J. Soles, Richard Benjamin and Paula Prentiss, Lynda Day George, Dey Young, and director Allan Arkush. Reviews include Jean Carmet and Isabelle Huppert in Yves Boisset's The Common Man [Dupont Lajoie]; Rev. Estus Pirkle in Ron Ormond's The Believer's Heaven; Phyllis Diller and Bob Denver in Did You Hear the One About the Traveling Saleslady?; Christina Schollin in Olle Hellbom's Blackjackets [Raggare!]; Kenneth Welsh in And Then You Die; Lino Ventura and Bourvil in The Wise Guys [Les Grandes Gueules]; Heather Menzies in Outside In [a.k.a. Red, White and Busted]; Philip Michael Thomas in Angel Dust: The Wack Attack; Don Murray, Jack Warden and Carolyn Jones in Paddy Chayefsky's The Bachelor Party; Mikko Niskanen's Sissit [a.k.a. Commando Assault]; Bryan Brown in The Empty Beach; Christopher Jones and Pia Degermark The Looking Glass War; Robert Stephens and Shirley Ann Field in Lunch Hour; Hot Dog... The Movie; David Janssen in Superdome; Juliette Gréco in Belphegor, the Phantom of the Louvre; Greg Mullavey and Meredith MacRae in My Friends Need Killing; Robert Forster in Peacemaker; Siegfried & Roy: Masters of the Impossible; Stanley Baker in Joseph Losey's The Criminal; Yves Simoneau's Why Was the Strange Mr. Zolock So Interested in Comic Books?; Andrew Dice Clay and Shannon Tweed in No Contest; et cetera.