SHOCK CINEMA Issue 52
Shock Cinema Magazine is an essential periodical for fans of cutting-edge, retro cinema. Each issue features in-depth interviews with the most intriguing character actors, cult celebrities and maverick moviemakers of all time and critiques a wide array of film obscurities, including grindhouse action, sexploitation, horror, sci-fi, drive-in favorites, kitsch gems, overseas oddities,
and arthouse dementia.
Interviews with Jon Gries, Warren Berlinger, Larry B. Scott, William Morgan Sheppard, and Art LaFleur. Reviews include Bruce Davison in John Flynn's The Jerusalem File; Bernie Travis in Dirtymouth; Julie London in Hugo Haas' Night Of the Quarter Moon; James Brolin and Cliff Gorman in John Korty's Class of '63; Nicol Williamson and Anna Karina in Tony Richardson's Laughter un the Dark; Chris Robinson and Mickey Rooney in Ace Of Hearts [Juego Sucio en Panamá]; Hannelore Elsner in Will Tremper's The Endless Night [Die Endlose Nacht] ; Stacy Keach and Roger Moore in Street People; Marie-France Pisier, Bulle Ogier and Leslie Caron in Sérail [Surreal Estate]; Andrew Leavold's The Search For Weng Weng; Eckhart Schmidt's Loft; Harry Guardino in The Lonely Profession; Joseph Bologna and Barbara Harris in Mixed Company; Jean Seberg and James Mason in Kill; Miklós Jancsó's Private Vices, Public Virtues; Khigh Dhiegh, Mako and James Hong in Judge Dee and the Monastery Murders; James Bickert's Frankenstein Created Bikers; Lucinda Dooling in Lovely But Deadly; Marcello Mastroianni and Marthe Keller in Down the Ancient Stairs; Michel Piccoli in The Prize of Peril; Gérard Kikoïne's Mannequin; Joe Don Baker in Phil Karlson's Framed; Riccardo Freda and Mario Bava's Caltiki, the Immortal Monster; et cetera.