A spiral staircase movie, a never-ending metaphysical game of cat-and-mouse, a moral aspiration to the Heavens, a “spotlight” on God, a scornful detective movie, a horror movie and frightful, high-octane baroque work – Possession is all of that at once. It is a film that provokes, but it provokes intelligence above all – not just the merry continuation of our little social mechanisms.
Possession is a visionary, scathing attack on what could be called an “alien” from within. It is a movie that deliberately goes against the new “dominant ideology”, and takes huge risks. This deep-cutting, biological cinema, delves into the guts to reach the soul. Through its fire, it revives something that a lot of contemporary movies have lost: emotion, and the prospect of the audience reacting, perhaps even throwing up (figuratively?) in front of a screen displaying their own fantasies.
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